B+
Breast Friends
Kimmy Zee
Venue 6, Tom Hendry Theatre at the MTC Warehouse
As you can probably guess from the title, this locally produced variety show deals with women’s love/hate relationship with their breasts. Dealing with body image issues, breast reduction surgery, puberty, mammograms, breast feeding and wrapping up the whole thing with a titillating burlesque performance by Miss La Muse, Breast Friends is a fun crowd pleaser. Along with a series of monologues from Kim Zeglinski, Alison Field and Celeste Sansregret, Winnipeg comedian Heather Witherden does a short stand-up routine, proving she is one of the funniest local women around. It’s not all fun and games though — a mid performance tribute to breast cancer survivors and victims has as much of an impact as any of the other material. Lighthearted, empowering and playful, Breast Friends won’t disappoint.
_____
B-
The Excursionists: A Matter of Seconds
Baronspieler
Venue 4, Onstage at the Playhouse
What do Back to the Future, Lost and The Excursionists all have in common? Time travel. Bending the laws of nature, Seattle’s Professor Goggins and Lord Necksycracksy jump back and forth through the ether of time trying to make history right after they cause a rip in the space time continuum. Although Professor Goggins created the crono-punctuality devices to ensure his forgetful best friend was able to give him a gift on his birthday, something went horribly wrong and it resulted in the death of King Henry VIII. Both Johan Von Spreecken and Christopher Bange are obviously skilled actors; their lighthearted interplay is both refreshing and engaging. Throw in some elaborate time travel devices, puppets, bad puns, a play within a play, Shakespeare, a sword fight and you have an entertaining, if not a slightly convoluted story of two time traveling adventure seekers.
_____
C+
Fake Life
No Snowcones
Venue 7, The Conservatory
If you have feelings for someone, the F-word can be the kiss of death. Looking back at their lifelong friendship, Edmonton actors Michael Davidson (Zip) and Katie Fornell (Rose) chart their relationship from the sandbox, through their teens and then young adult years. While Rose is busy getting her heart broken by a parade of bad boys, Zip plays the role of the nice guy best friend, even though his feelings run much deeper than he is willing to admit. Proving that in the end, every story is a love story, Fake Life never really hits any real highs or any big lows. While every story might be a love story, they all don’t have the happy Hollywood end. This relationship was obviously never meant to be.
_____
C+
Foiled by the Feathery Wife
Magic of One Productions
Venue 4, Onstage at the Playhouse
Traveling to England, Cuba, Mexico, Japan and Norway, the three storytellers in Foiled by the Feathery Wife do an adequate job spinning tales of folklore, mythical creatures and the devil over seven short stories. Loosely woven together, the strongest pieces are Tom Roche’s old-tymey sing/song style delivery on The Devil and the Feathery Wife, on which he is backed up by musicians Michael Cobus and Kevin Scott; Kay Stone’s Cuban tale of El Bizarron (The Weird One); and Roche’s tale of Urashima Taro, a simple fisherman who finds eternal life and true love, only to find out that the hefty price he paid. While those three pieces draw the audience in, it isn’t really enough to sustain your interest over the 75-minute running time. Used to bridge the pieces together, the backing musicians could have been better used to establish mood and tension.
_____
C+
Four on the Floor
Run Ragged Company
Venue 5, Son of a Warehouse
While there are entertaining moments in these four sketches, as a whole they don’t live up to their potential. Opening things up, Herschel’s Big Sale has a slick door-to-door salesman selling Moses some scrolls. As Herschel, Jeff Wahl really brings out his character, but overall something is missing from the sketch. If you watch daytime court room shows such as Judge Judy or The People’s Court, you will probably recognize a lot of the lines from Julio and Ronabette. An interesting concept and twist on the traditional story, but again the sketch comes out flat. In Sibling Ribaldry, Fringe vet Dave Pruden pulls off a convincing Freud. The best is saved for last: The Good Old Days sees two lawyers working out the details of a first date. Overall there are some laughs, but not enough to make it memorable.
_____
A-
Fucking Stephen Harper: How I Sexually Assaulted the 22nd Prime Minister of Canada
Ten Foot Pole Productions
Venue 2, MTC Up the Alley
It’s a well-known fact that Prime Minister Stephen Harper carefully controls his message with the media, so if you are a reporter for gay street paper, the chances of you landing a coveted interview with the leader of the country are about as likely as Pat Martin crossing the floor to join the Conservatives. Snarky, edgy, funny and informative, Toronto’s Rob Salerno offers a crash course in Canadian politics, exposes the battle for Queer rights, highlights the homophobic agenda of the Conservatives and even explains how Harper gets his fashion cues from Shania Twain during this well paced 60-minute long monologue. Using various quotes, articles and insight he gained working as a political reporter for Xtra during the 2008 election, Salerno’s fact-filled PowerPoint presentation and razor-sharp wit really elevate this piece. After hearing about the confrontation at Harper’s high school reunion, you can bet that Salerno and Xtra are on the Prime Minister’s permanent blacklist.
_____
B+
Gunpowder
Stars and Hearts
Venue 17, PTE - Colin Jackson Studio
Fast paced, funny and full of physical comedy, Gunpowder is an engaging one man performance by London, Ontario’s Jayson McDonald. With a 20% conviction rate and a Chief who doesn’t believe in him, Detective Thom Phox is a bumbling cop who is better known for contaminating crime scenes than he is for catching criminals. After a thespian dies on stage (every actor’s second-worst nightmare we are repeatedly told), Phox is unexpectedly given the case and spends the next hour trying to unravel the mystery. Playing everyone from a jealous actor to a cocky writer to an overzealous acting coach to Perfect Perry the Magician and even the dead actor’s adoptive father, McDonald manages to bring each suspect to life, without sacrificing the story. Throw in some twists and turns, a witty script and a skilled performer and you have a great Fringe play.
_____
C+
Kafka in Love
Naughty Sailboat
Venue 4, Onstage at the Playhouse
Kafka in Love is the the debut outing for fledgling local arts collective Naughty Sailboat. Penned by William Jordan and Kevin C. Houle, these three plays explores variations of love and the human condition against a backdrop of the apocalypse. Locked in a closet with only some peanut butter (the brand he despises), soy sauce, pickled asparagus and his paper buddy Sir Wilfrid Laurier, Ulrich (Ian Mikita) fights against feelings of lost love, boredom, isolation and delusion. The second piece really fails to deliver, even though there is a certain chemistry between Dorchester (William Jordan) and Renfrew (Yared Mehzenta). The third and strongest vignette, although totally absurd, really shines. Anchored by the carefully paced narration of Kevin Anderson, it makes you wish that he was part of all three plays. Although uneven at times, there are moments when you get the sense this rookie troupe was on to something.
_____
A+
Power
Berserkr Productions
Venue 5, Son of a Warehouse
While more high-profile politicians such as Tommy Douglas get all the historical attention for their battles against injustice, it was the the tireless work of the Independent Labour Party’s J.S. Woodsworth in the 1920s that brought about changes to Old Age Pension, expanded rights for the unemployed, fought against the futility of the First World War and who stood up for the workers involved in the Winnipeg General Strike. Explaining how a framed letter from then Prime Minister W.L. McKenzie King ended up in the offices of the CCF, Robert Johannson’s compelling performance as Woodsworth is both thought provoking and wonderfully acted. More than just a Canadian history lesson, Power touches on a number of interrelated themes (truth, pacifism, the politics of change, the fight for social justice, the role of the church) that are just as relevant today as they were during Woodsworth’s time in politics. Easily one of the best Fringe plays I have ever seen.
_____
D
Saturday Night House Party
GabelManwell Productions
Venue 6, Tom Hendry Theatre at the MTC Warehouse
You know that feeling when you show up at a party only to realize you probably should have just stayed home and watched reruns? That’s the feeling you get during Saturday Night House Party. The improv-heavy piece wasn’t without some redeeming qualities. Quinn Green managed some laughs as Chet, playing a gay guy in order to pick up girls. Nicole Sadler convincingly pulls off Jaclyn, the stuck-up pretty girl. There were also some funny references to Neil Strauss’ book The Game and some of his dating techniques that involve using “neg-hits” to break down a woman’s dating shield. After Chet tells party host Natalie that her teeth are crooked, she spends the rest of the night trying to hide them. Like a real party, no two nights are going to be the same, but I didn’t get the sense that this was just an off evening.
_____
A
Tired Clichés
Acky-Made
Venue 21, Aqua Books
First presented at the Winnipeg Fringe Festival in 1998 by “The King of Fringe”, T.J. Dawe, Tired Clichés is a hilariously funny, fast paced one man show starring Toronto’s Alex Eddington. What starts off as a seemingly unrelated string of random thoughts on a variety of subjects — pedestrian controlled cross walks, vomited cats, post modernism, boring minimum waged jobs, ghosts, working the night shift, the meaninglessness of the phrase ‘happy birthday’ and the difference between casual cyclists/wanky cyclists — all gets tied together in the last few minutes of the monologue. More than a collection of off-the-cuff comments, Dawe’s ability to weave together so many pieces into a compelling story is unmatched. Eddington’s razor sharp delivery, quirky sound effects courtesy of a pocket full of small instruments and Dawe’s thought provoking script ensure there is never a dull moment.
_____
A-
The Unlikely Sainthood of Madeline McKay
Kiss the Giraffe Productions
Venue 16, PTE Mainstage
Peddling religion can be tricky, but it can also be a very profitable business. Just ask Jim Jones, David Koresh, Jerry Falwell or any of the other televangelist out there. Claiming she is a conduit to the Virgin Mary, former fortune teller Madeline McKay and her manager/friend/partner in crime Agatha travel the country spreading the word of the mother of Jesus and peddling their CDs for 25 bucks a pop. Originally believing she is offering what the church can’t, McKay begins to question what she is really giving the mindless miracle chasers. Normally able to disengage from the people she is conning, she can’t escape what is really happening on the commune after meeting the ultra devoted Bernadette, wonderfully portrayed by Stephanie Sy. While she was originally selling salvation one town at a time, in the end McKay is the one with the spiritual awakening.
_____
D
We’ve Always Been Friends
Johnny Dingo Productions
Venue 4, Onstage at the Playhouse
First presented in 1986, Bruce McManus’ We’ve Always Been Friends hasn’t really aged very well. What might have been edgy in the ’80s comes across as irrelevant in the age of The Hills and Sex and the City. The intertwined relationships between Lee (the overstressed Mom), Shelia (the power hungry business woman) and Gia (the slutty one) have moments of believability, but that isn’t sustained over the 90- minute performance. Fighting over the same guy, you get the sense that although Robert fulfils a role in each of their lives, they all could do better. They argue, debate and eventually decide who should get him with a bean bag toss game. We’ve Always Been Friends may have been pushing boundaries 24 years ago, but it doesn’t have the cultural or sociological bite it once did.