<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description>Anthony Augustine is a music, technology and pop culture writer who spends way too much time in front of the computer.  His writing appears weekly in the Winnipeg Free Press, Uptown Magazine and on MyWinnipeg.com.

follow anthonya at http://twitter.com

For the past ten years, he has produced an electronic music program on Thursday from 10-midnight  on  CKUW 95.9 FM. He can also be heard Tuesday mornings on Hot 103 in Winnipeg around 8:55(ish) chatting about the web.


var gaJsHost = (("https:" == document.location.protocol) ? "https://ssl." : "http://www.");
document.write(unescape("%3Cscript src='" + gaJsHost + "google-analytics.com/ga.js' type='text/javascript'%3E%3C/script%3E"));

try {
var pageTracker = _gat._getTracker("UA-6581040-1");
pageTracker._trackPageview();
} catch(err) {}</description><title>Anthony Augustine</title><generator>Tumblr (3.0; @anthonyaugustine)</generator><link>http://anthonyaugustine.ca/</link><item><title>I’m not upgrading till Apple sorts this out.</title><description>&lt;object width="400" height="326"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Pdk2cJpSXLg&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Pdk2cJpSXLg&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1" type="application/x-shockwave-flash" width="400" height="326" allowFullScreen="true" wmode="transparent"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;I’m not upgrading till Apple sorts this out.&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/884558344</link><guid>http://anthonyaugustine.ca/post/884558344</guid><pubDate>Sat, 31 Jul 2010 10:09:58 -0500</pubDate></item><item><title>Uptown Magazine - July 29th</title><description>&lt;p&gt;&lt;img height="289" width="350" src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/samjudy5_webres_final.jpg"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;&lt;a href="http://www.samandjudy.com" target="_blank"&gt;Sam &amp; Judy&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt; The mayoral race is off to a slow, uninteresting start as both high-profile candidates for this year’s civic election have been playing it safe. On the right, Sammy (Goldeyes) Katz has been doing what he does best: not much. On the left, Judy (The Chosen One) Wasylycia-Leis has been busy handing out badges and trying to get the news media to pay attention to her, despite lacking anything in the form of a real platform (“I’m not Sam” just isn’t going to cut it). If you are on Twitter or regularly read Bartley Kives in the Winnipeg Free Press, you know a third high-profile candidate has emerged. Representing Section S, The Beer Snake has had more press in the last couple weeks than all the candidates combined. Watch for the plastic critter to steal votes from both the former owner of the Thunder and the former MP for Winnipeg Centre. In the same vein as Get Your War On, Sam &amp; Judy uses stock cartoons to skewer the mayoral race. New comics are posted every Monday and Wednesday. Have an election topic you want covered? The creators are crowdsourcing ideas. That’s more than you can say about Sam and Judy.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;&lt;a href="http://bit.ly/tony_hawk" target="_blank"&gt;Tony Hawk Does a 900&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;Despite being 42 years old, Tony Hawk recently landed a massive 900 at a demo event in Barcelona. The Holy Grail of skateboard tricks, only four skaters (Hawk, Giorgio Zattoni, Sandro Dias and Alex Perelson) have successfully landed the coveted 900 in competition.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Quick Hits&lt;br/&gt;&lt;br/&gt;MP3 of the Week: LAZRtag – &lt;a href="http://bit.ly/LAZRtag" target="_blank"&gt;Paper Planes (remix)&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;In the electro world, you won’t find many more prolific producers than Los Angeles duo LAZRtag. Judging by tracks on Hype Machine and their Soundcloud page, these guys never sleep. LAZRtag will be rolling into town on July 29 to play at Ready Mix. Expect a hybrid DJ/live performance with a slew of unreleased tracks, on-the-fly remixes and post-rave electro anthems.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Video of the Week: Pip Skid – &lt;a href="http://bit.ly/pip_skid" target="_blank"&gt;I Never Knew&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt; Trippy visuals, a demented chicken with a monocle and a top hat, a space suit, dancing animals, a chopped-up Nirvana riff and the best cut from Pip Skid’s album Skid Row = Mike Maryniuk’s new video for I Never Knew. Simply brilliant.&lt;/span&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/880413778</link><guid>http://anthonyaugustine.ca/post/880413778</guid><pubDate>Thu, 29 Jul 2010 00:00:00 -0500</pubDate></item><item><title>Winnipeg Free Press - July 29th</title><description>&lt;p&gt;&lt;span&gt;
&lt;p&gt;&lt;img height="350" width="350" src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/iphone-4-facetime2.png"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://bit.ly/iphone_canada" target="_blank"&gt;The 5 Biggest Cons for Getting the iPhone 4! And Why You Should Wait.&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;DESPITE Antennagate and Apple’s recent announcement that it will give out free protective guards to prevent dreaded dropped calls from its newest iPhone model, the Cupertino, Calif.-based company is still going to roll out its latest device in Canada and 16 other countries this Friday.&lt;/p&gt;
&lt;p&gt;If you still aren’t convinced you should hold off from upgrading to the iPhone 4, Designcookbook.com outlines the five main reasons why you should wait. Despite features likebeing able to shoot HD video and hi-res pictures, you still only can buy 16G or 32G models. If history is any indication, chances are they will roll out larger storage on these devices some time this year.&lt;/p&gt;
&lt;p&gt;While Apple’s new video chat FaceTime sounds cool, it will only work with other iPhone 4s and when you are on a Wi-Fi network. What’s the point of having a fancy video-chat feature if nobody else can connect with you?&lt;/p&gt;
&lt;p&gt;Along with those concerns, the fact you can’t get an unlimited data plan (this has been a major complaint from users since Day 1 in Canada) and that you can only use AT&amp;T in the U.S. and Rogers in Canada is a major drawback for some people.&lt;/p&gt;
&lt;p&gt;Unless you’re a diehard Apple fanboy, your best bet is to hold off until the major bugs get worked out. The 3GS phone is still a powerful multimedia device and should keep even the most picky users satisfied.&lt;/p&gt;
&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;
&lt;p&gt;&lt;a href="http://bit.ly/dexter_trailer" target="_blank"&gt;Dexter&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;COMIC-CON recently wrapped up in San Diego and that means that a lot of the exclusive first looks and trailers that debuted at the pop-culture-driven convention will slowly be making their way to the web.&lt;/p&gt;
&lt;p&gt;Set to come back for a fifth season on Sept. 26, Showtime’s &lt;em&gt;Dexter&lt;/em&gt; successfully used Comic-Con again to build a buzz for the award-winning show. &lt;em&gt;Dexter Early Cuts: Dark Echo&lt;/em&gt; jumps back to the 1990s when serial killer Dexter (Michael C. Hall) was in university and slowly learning who he really is.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://yhoo.it/tron_legacy_trailer" target="_blank"&gt;Tron: Legacy&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;THE second trailer from the highly anticipated &lt;em&gt;Tron: Legacy&lt;/em&gt; film was also unveiled at Comic-Con. The sequel to 1982 sci-fi thriller&lt;em&gt; Tron&lt;/em&gt; starring Jeff Bridges, &lt;em&gt;Legacy&lt;/em&gt; will hit theatres Dec. 17 in Digital 3-D, IMAX 3-D and RealD 3-D.&lt;/p&gt;

&lt;p&gt;&lt;a href="http://bit.ly/mad_men_catchup" target="_blank"&gt;The First Three Seasons of Mad Men in Five Minutes&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;THE fourth season of AMC’s hit show&lt;em&gt; Mad Men&lt;/em&gt; debuted last Sunday. If you haven’t jumped on the&lt;em&gt;Mad Men&lt;/em&gt; bandwagon or have been too busy to diligently power-disc the first three seasons, you can quickly play catchup with this condensed five-minute recap from &lt;em&gt;New York&lt;/em&gt; magazine’s Vulture blog.&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Republished from the Winnipeg Free Press print edition July 29, 2010 E3&lt;/span&gt;&lt;/p&gt;
&lt;/span&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/880436811</link><guid>http://anthonyaugustine.ca/post/880436811</guid><pubDate>Thu, 29 Jul 2010 00:00:00 -0500</pubDate></item><item><title>Uptown Magazine - Fringe Reviews</title><description>&lt;p&gt;&lt;strong&gt;B+&lt;br/&gt;Breast Friends&lt;br/&gt;Kimmy Zee&lt;br/&gt;Venue 6, Tom Hendry Theatre  at the MTC Warehouse&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;As you can probably guess from the  title, this locally produced variety show deals with women’s love/hate  relationship with their breasts. Dealing with body image issues, breast  reduction surgery, puberty, mammograms, breast feeding and wrapping up  the whole thing with a titillating burlesque performance by Miss La  Muse, Breast Friends is a fun crowd pleaser. Along with a series of  monologues from Kim Zeglinski, Alison Field and Celeste Sansregret,  Winnipeg comedian Heather Witherden does a short stand-up routine,  proving she is one of the funniest local women around. It’s not all fun  and games though — a mid performance tribute to breast cancer survivors  and victims has as much of an impact as any of the other material.  Lighthearted, empowering and playful, Breast Friends won’t disappoint.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;B-&lt;br/&gt;The Excursionists: A Matter of Seconds&lt;br/&gt;Baronspieler&lt;br/&gt;Venue  4, Onstage at the Playhouse&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;What do Back to the Future,  Lost and The Excursionists all have in common? Time travel. Bending the  laws of nature, Seattle’s Professor Goggins and Lord Necksycracksy jump  back and forth through the ether of time trying to make history right  after they cause a rip in the space time continuum. Although Professor  Goggins created the crono-punctuality devices to ensure his forgetful  best friend was able to give him a gift on his birthday, something went  horribly wrong and it resulted in the death of King Henry VIII. Both  Johan Von Spreecken and Christopher Bange are obviously skilled actors;  their lighthearted interplay is both refreshing and engaging. Throw in  some elaborate time travel devices, puppets, bad puns, a play within a  play, Shakespeare, a sword fight and you have an entertaining, if not a  slightly convoluted story of two time traveling adventure seekers.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;C+&lt;br/&gt;Fake Life&lt;br/&gt;No Snowcones&lt;br/&gt;Venue 7, The Conservatory&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;If  you have feelings for someone, the F-word can be the kiss of death.  Looking back at their lifelong friendship, Edmonton actors Michael  Davidson (Zip) and Katie Fornell (Rose) chart their relationship from  the sandbox, through their teens and then young adult years. While Rose  is busy getting her heart broken by a parade of bad boys, Zip plays the  role of the nice guy best friend, even though his feelings run much  deeper than he is willing to admit. Proving that in the end, every story  is a love story, Fake Life never really hits any real highs or any big  lows. While every story might be a love story, they all don’t have the  happy Hollywood end. This relationship was obviously never meant to be.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;C+&lt;br/&gt;Foiled by the Feathery Wife&lt;br/&gt;Magic of One Productions&lt;br/&gt;Venue  4, Onstage at the Playhouse&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Traveling to England, Cuba,  Mexico, Japan and Norway, the three storytellers in Foiled by the  Feathery Wife do an adequate job spinning tales of folklore, mythical  creatures and the devil over seven short stories. Loosely woven  together, the strongest pieces are Tom Roche’s old-tymey sing/song style  delivery on The Devil and the Feathery Wife, on which he is backed up  by musicians Michael Cobus and Kevin Scott; Kay Stone’s Cuban tale of El  Bizarron (The Weird One); and Roche’s tale of Urashima Taro, a simple  fisherman who finds eternal life and true love, only to find out that  the hefty price he paid. While those three pieces draw the audience in,  it isn’t really enough to sustain your interest over the 75-minute  running time. Used to bridge the pieces together, the backing musicians  could have been better used to establish mood and tension.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;C+&lt;br/&gt;Four on the Floor&lt;br/&gt;Run Ragged Company&lt;br/&gt;Venue 5, Son of  a Warehouse&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;While there are entertaining moments in  these four sketches, as a whole they don’t live up to their potential.  Opening things up, Herschel’s Big Sale has a slick door-to-door salesman  selling Moses some scrolls. As Herschel, Jeff Wahl really brings out  his character, but overall something is missing from the sketch. If you  watch daytime court room shows such as Judge Judy or The People’s Court,  you will probably recognize a lot of the lines from Julio and  Ronabette. An interesting concept and twist on the traditional story,  but again the sketch comes out flat. In Sibling Ribaldry, Fringe vet  Dave Pruden pulls off a convincing Freud. The best is saved for last:  The Good Old Days sees two lawyers working out the details of a first  date. Overall there are some laughs, but not enough to make it  memorable.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;A-&lt;br/&gt;Fucking Stephen Harper: How I Sexually Assaulted the 22nd  Prime Minister of Canada&lt;br/&gt;Ten Foot Pole Productions&lt;br/&gt;Venue 2, MTC Up  the Alley&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;It’s a well-known fact that Prime Minister  Stephen Harper carefully controls his message with the media, so if you  are a reporter for gay street paper, the chances of you landing a  coveted interview with the leader of the country are about as likely as  Pat Martin crossing the floor to join the Conservatives. Snarky, edgy,  funny and informative, Toronto’s Rob Salerno offers a crash course in  Canadian politics, exposes the battle for Queer rights, highlights the  homophobic agenda of the Conservatives and even explains how Harper gets  his fashion cues from Shania Twain during this well paced 60-minute  long monologue. Using various quotes, articles and insight he gained  working as a political reporter for Xtra during the 2008 election,  Salerno’s fact-filled PowerPoint presentation and razor-sharp wit really  elevate this piece. After hearing about the confrontation at Harper’s  high school reunion, you can bet that Salerno and Xtra are on the Prime  Minister’s permanent blacklist.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;B+&lt;br/&gt;Gunpowder&lt;br/&gt;Stars and Hearts&lt;br/&gt;Venue 17, PTE - Colin  Jackson Studio&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Fast paced, funny and full of physical  comedy, Gunpowder is an engaging one man performance by London,  Ontario’s Jayson McDonald. With a 20% conviction rate and a Chief who  doesn’t believe in him, Detective Thom Phox is a bumbling cop who is  better known for contaminating crime scenes than he is for catching  criminals. After a thespian dies on stage (every actor’s second-worst  nightmare we are repeatedly told), Phox is unexpectedly given the case  and spends the next hour trying to unravel the mystery.  Playing  everyone from a jealous actor to a cocky writer to an overzealous acting  coach to Perfect Perry the Magician and even the dead actor’s adoptive  father, McDonald manages to bring each suspect to life, without  sacrificing the story. Throw in some twists and turns, a witty script  and a skilled performer and you have a great Fringe play.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;C+&lt;br/&gt;Kafka in Love&lt;br/&gt;Naughty Sailboat&lt;br/&gt;Venue 4, Onstage at  the Playhouse&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Kafka in Love is the the debut outing for  fledgling local arts collective Naughty Sailboat. Penned by William  Jordan and Kevin C. Houle, these three plays explores variations of love  and the human condition against a backdrop of the apocalypse. Locked in  a closet with only some peanut butter (the brand he despises), soy  sauce, pickled asparagus and his paper buddy Sir Wilfrid Laurier, Ulrich  (Ian Mikita) fights against feelings of lost love, boredom, isolation  and delusion. The second piece really fails to deliver, even though  there is a certain chemistry between Dorchester (William Jordan) and  Renfrew (Yared Mehzenta). The third and strongest vignette, although  totally absurd, really shines. Anchored by the carefully paced narration  of Kevin Anderson, it makes you wish that he was part of all three  plays. Although uneven at times, there are moments when you get the  sense this rookie troupe was on to something.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;A+&lt;br/&gt;Power&lt;br/&gt;Berserkr Productions&lt;br/&gt;Venue 5, Son of a  Warehouse&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;While more high-profile politicians such as  Tommy Douglas get all the historical attention for their battles against  injustice, it was the the tireless work of the Independent Labour  Party’s J.S. Woodsworth in the 1920s that brought about changes to Old  Age Pension, expanded rights for the unemployed, fought against the  futility of the First World War and who stood up for the workers  involved in the Winnipeg General Strike. Explaining how a framed letter  from then Prime Minister W.L. McKenzie King ended up in the offices of  the CCF, Robert Johannson’s compelling performance as Woodsworth is both  thought provoking and wonderfully acted. More than just a Canadian  history lesson, Power touches on a number of interrelated themes (truth,  pacifism, the politics of change, the fight for social justice, the  role of the church) that are just as relevant today as they were during  Woodsworth’s time in politics. Easily one of the best Fringe plays I  have ever seen.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;D&lt;br/&gt;Saturday Night House Party&lt;br/&gt;GabelManwell Productions&lt;br/&gt;Venue  6, Tom Hendry Theatre at the MTC Warehouse&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;You know  that feeling when you show up at a party only to realize you probably  should have just stayed home and watched reruns? That’s the feeling you  get during Saturday Night House Party. The improv-heavy piece wasn’t  without some redeeming qualities. Quinn Green managed some laughs as  Chet, playing a gay guy in order to pick up girls. Nicole Sadler  convincingly pulls off Jaclyn, the stuck-up pretty girl. There were also  some funny references to Neil Strauss’ book The Game and some of his  dating techniques that involve using “neg-hits” to break down a woman’s  dating shield. After Chet tells party host Natalie that her teeth are  crooked, she spends the rest of the night trying to hide them. Like a  real party, no two nights are going to be the same, but I didn’t get the  sense that this was just an off evening.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;A&lt;br/&gt;Tired Clichés&lt;br/&gt;Acky-Made&lt;br/&gt;Venue 21, Aqua Books&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;First  presented at the Winnipeg Fringe Festival in 1998 by “The King of  Fringe”, T.J. Dawe, Tired Clichés is a hilariously funny, fast paced one  man show starring Toronto’s Alex Eddington. What starts off as a  seemingly unrelated string of random thoughts on a variety of subjects —  pedestrian controlled cross walks, vomited cats, post modernism, boring  minimum waged jobs, ghosts, working the night shift, the  meaninglessness of the phrase ‘happy birthday’ and the difference  between casual cyclists/wanky cyclists — all gets tied together in the  last few minutes of the monologue. More than a collection of  off-the-cuff comments, Dawe’s ability to weave together so many pieces  into a compelling story is unmatched. Eddington’s razor sharp delivery,  quirky sound effects courtesy of a pocket full of small instruments and  Dawe’s thought provoking script ensure there is never a dull moment.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;A-&lt;br/&gt;The Unlikely Sainthood of Madeline McKay&lt;br/&gt;Kiss the  Giraffe Productions&lt;br/&gt;Venue 16, PTE Mainstage&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;Peddling  religion can be tricky, but it can also be a very profitable business.  Just ask Jim Jones, David Koresh, Jerry Falwell or any of the other  televangelist out there. Claiming she is a conduit to the Virgin Mary,  former fortune teller Madeline McKay and her manager/friend/partner in  crime Agatha travel the country spreading the word of the mother of  Jesus and peddling their CDs for 25 bucks a pop. Originally believing  she is offering what the church can’t, McKay begins to question what she  is really giving the mindless miracle chasers. Normally able to  disengage from the people she is conning, she can’t escape what is  really happening on the commune after meeting the ultra devoted  Bernadette, wonderfully portrayed by Stephanie Sy. While she was  originally selling salvation one town at a time, in the end McKay is the  one with the spiritual awakening.&lt;/p&gt;
&lt;p&gt;_____&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;D&lt;br/&gt;We’ve Always Been Friends&lt;br/&gt;Johnny Dingo Productions&lt;br/&gt;Venue  4, Onstage at the Playhouse&lt;/strong&gt;&lt;br/&gt;&lt;br/&gt;First presented in 1986,  Bruce McManus’ We’ve Always Been Friends hasn’t really aged very well.  What might have been edgy in the ’80s comes across as irrelevant in the  age of The Hills and Sex and the City. The intertwined relationships  between Lee (the overstressed Mom), Shelia (the power hungry business  woman) and Gia (the slutty one) have moments of believability, but that  isn’t sustained over the 90- minute performance. Fighting over the same  guy, you get the sense that although Robert fulfils a role in each of  their lives, they all could do better. They argue, debate and eventually  decide who should get him with a bean bag toss game. We’ve Always Been  Friends may have been pushing boundaries 24 years ago, but it doesn’t  have the cultural or sociological bite it once did.&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/866729361</link><guid>http://anthonyaugustine.ca/post/866729361</guid><pubDate>Fri, 23 Jul 2010 00:00:00 -0500</pubDate><category>fringe</category><category>uptown</category></item><item><title>Uptown Magazine - July 22nd</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/ilovechicago.png" height="350" width="350"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://bit.ly/home_sweet_house" target="_blank"&gt;&lt;strong&gt;Home Sweet House&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;It  is widely acknowledged that Detroit was the birthplace of techno and  that house music emerged from Chicago. Despite the fact that these two  cities played a huge role in the development of electronic music, North  America is still playing catchup to Europe. This short documentary  charts the growth and development of house music in Chicago in the ’80s.&lt;br/&gt;&lt;br/&gt;&lt;a href="http://bit.ly/bombers_game_day" target="_blank"&gt;&lt;strong&gt;Bombers  Game Day&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;If you’ve been losing your shirt betting on the Bombers, you can save  some of your cash and still have some action on the games. With eight  different categories in which you can let your opinion be known, you can  still win if the Blue and Gold lose.&lt;br/&gt;&lt;br/&gt;&lt;a href="http://bit.ly/all_the_goals" target="_blank"&gt;&lt;strong&gt;All the Goals&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;Going  through World Cup withdrawal? Can’t wait for the England’s Premier  League to start up in August? FIFA recently uploaded video of every goal  scored during the recent month-long World Cup finals tournament. Now  fans of the beautiful game only have to wait two years until the  European Championship.&lt;br/&gt;&lt;br/&gt;&lt;a href="http://bit.ly/the_electro_wars" target="_blank"&gt;&lt;strong&gt;The Electro Wars&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;The  Electro Wars is a new documentary by Stephen Vasquez which looks at the  growing influence of post-rave electro in the United States. Featuring  interviews with a who’s who of the U.S. electronic scene (Steve Aoki,  Spank Rock, Armand Van Helden), it hits the theatres sometime this fall.  Along with a trailer, The Electro Wars website offers up a slew of  exclusive interviews.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Quick Hits&lt;br/&gt;&lt;br/&gt;MP3 of the Week:  Beauchamp  – &lt;a href="http://bit.ly/gold_soundz_mix%20" target="_blank"&gt;Gold Soundz (Summer Mix)&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;Goodform’s Mike B. drops a smooth summer mix under his new alias,  Beauchamp. Packed with tracks from Crystal Castles, Air and Toro Y Moi,  this mix is the perfect soundtrack to your next backyard barbecue.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Video  of the Week: Tool – &lt;a href="http://bit.ly/tool_live" target="_blank"&gt;The Patient&lt;/a&gt;&lt;/strong&gt;&lt;a href="http://bit.ly/tool_live" target="_blank"&gt; &lt;/a&gt;&lt;a href="http://bit.ly/tool_live" target="_blank"&gt;(Live in St. Charles,  Mo.)&lt;/a&gt;&lt;br/&gt; Despite  an ultra strict no-cameras policy, video footage of Tool’s recent North  American tour has been popping up on YouTube. Anyone who was at The  Phone Booth July 4th knows that gig was easily one of the best shows to  roll through town in the past 10 years.&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/866677523</link><guid>http://anthonyaugustine.ca/post/866677523</guid><pubDate>Thu, 22 Jul 2010 00:00:00 -0500</pubDate></item><item><title>Winnipeg Free Press - July 22nd</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/chatroulette-2.jpg" height="400" width="350"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.chatroulette.com" target="_blank"&gt;Chatroulette  Expands&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;WHEN Russian teen Andrey  Ternovskiy launched Chatroulette last November on a shoe-string budget,  nobody really knew how much impact it would have on web culture.  Bringing together random strangers via web cam, Chatroulette went  against the grain of the social nature of the web and sites like  MySpace, Facebook and Twitter. Instead of connecting people who already  knew each other, Chatroulette was the Wild West of the web. You never  really knew what you were going to get: a woman with a guitar, a man  wearing a Mexican wrestling mask, a group of giggling teenage girls or  some naked guy.&lt;/p&gt;
&lt;p&gt;With over 1.5 million users and 35,000 on the site  at any given time, Chatroulette quickly established itself as a major  player on the Internet. As of last week, the site rolled out two new  features. Along with offering a localized version where you can randomly  connect with people in your area, the site is also offering channels  that let you meet people based on mutual interests.&lt;/p&gt;
&lt;p&gt;It’s no  surprise that the sex channel is No. 1 and has the most active users.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://mixturtle.com" target="_blank"&gt;Mix Turtle&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;META-MUSIC  search engines are nothing new. Pulling streaming music content from  across the web, Mix Turtle makes it easy to locate and listen to music  from your favourite artists. Although you can’t download the songs you  find, you can setup a custom playlist and be your own DJ.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.netflix.ca" target="_blank"&gt;Netflix  To Launch Canadian Service&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;After a  couple years of rumours and growing frustration from Canadians not able  to access Netflix, the largest movie- and TV-streaming service in the  United States, the company recently announced it would be rolling out a  Canadian version this fall. While there is no word yet on if it will  also offer home movie delivery service as it does in the U.S., the  instant on-demand streaming of TV shows and movies is what consumers  really want.&lt;/p&gt;
&lt;p&gt;For a monthly fee, subscribers will be able to stream  video content to their computers and iPads, or their TVs through  devices like the Xbox 360, Nintendo Wii or Playstation 3. Already around  for a few years in the U.S. (with over 13 million subscribers), Netflix  was a game changer when it began offering on-demand video streaming as  part of a subscription.&lt;/p&gt;
&lt;p&gt;While movie stores won’t disappear over  night, the company will instantly grab a huge share of the video rental  market and make a major impact when it launches this fall. Canada is the  first country outside the U.S. that Netflix will be operating in.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://yhoo.it/the_social_network_trailer" target="_blank"&gt;The  Social Network&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;CAN  a movie about social-networking giant Facebook actually be worth  watching? Judging by this trailer, the answer is yes. Directed by David  Fincher and starring Jesse Eisenberg and Justin Timberlake, &lt;em&gt;The  Social Network&lt;/em&gt; hits theatres Oct. 1&lt;/p&gt;
&lt;br/&gt;&lt;!--endclickprintinclude--&gt;&lt;p class="republish"&gt;&lt;em&gt;Republished from the Winnipeg Free Press  print edition July 22, 2010 E3&lt;/em&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/866654898</link><guid>http://anthonyaugustine.ca/post/866654898</guid><pubDate>Thu, 22 Jul 2010 00:00:00 -0500</pubDate></item><item><title>Pip Skid - I Never Knew
Directed by Mike Maryniuk</title><description>&lt;object width="400" height="254"&gt;&lt;param name="movie" value="http://www.youtube.com/v/2BAvWG6A6HM&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/2BAvWG6A6HM&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1" type="application/x-shockwave-flash" width="400" height="254" allowFullScreen="true" wmode="transparent"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Pip Skid - I Never Knew&lt;/p&gt;
&lt;p&gt;Directed by Mike Maryniuk&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/836688867</link><guid>http://anthonyaugustine.ca/post/836688867</guid><pubDate>Tue, 20 Jul 2010 10:22:29 -0500</pubDate></item><item><title>Winnipeg Free Press - M.I.A</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/MIA_-_Maya.jpg" height="350" width="350"/&gt;&lt;/p&gt;
&lt;p&gt;M.I.A - MAYA (Interscope/XL)&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;
&lt;p&gt;On her third release, Sri Lankan-born British-raised MC/producer/designer/visual artist Maya Arulpragasam (M.I.A.) continues down the same fierce path of global resistance she established on her critically acclaimed albums, Arular (2005) and Kala (2007).&lt;/p&gt;
&lt;p&gt;Packed with stuttering drums, unrestrained bass, wailing sirens, blippy video game synths and plenty of impatient rhythms, M.I.A.’s latest is a cultural pastiche of sound she hopes will help tear down the walls of oppression, poverty, terrorism and the growing influence of information politics.&lt;/p&gt;
&lt;p&gt;On Lovealot, over top some minimal drums and digital noise, she proclaims “I won’t turn my cheek like I’m Ghandi / I fight the ones that fight me.” On Meds and Feds she cops some distorted guitars from Sleigh Bells’ track Treats and lays down some big beat drums for a punked-up attack. While there are no immediate cross-over hits like her mega smash Paper Planes, this is probably on purpose. The Diplo-produced Tell Me Why, the reggae influenced It Takes a Muscle and Rusko-helmed Space offer up a slightly softer, less paranoid side, to Arulpragasam.&lt;/p&gt;
&lt;p&gt;Expect a bit more challenging listen than her previous albums, but it’s worth the time and effort.&lt;/p&gt;
&lt;p&gt;3.5 stars&lt;/p&gt;
&lt;p class="republish"&gt;Republished from the Winnipeg Free Press print edition July 17, 2010 C4&lt;/p&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/866630317</link><guid>http://anthonyaugustine.ca/post/866630317</guid><pubDate>Sat, 17 Jul 2010 00:00:00 -0500</pubDate></item><item><title>Uptown Magazine - July 15th</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/6826.gif" height="350" width="350"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://bit.ly/Fabulous_Bomber_Show" target="_blank"&gt;&lt;strong&gt;The Fabulous Blue Bomber Show&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;Hope was running high after the Bombers knocked off the Hamilton Tigercats in the season opener. Fans were brought back down to Earth after the lowly Toronto Argonauts managed to beat the Blue and Gold last Friday. Despite racking up almost 500 yards in offence, the team couldn’t handle basics such as tackling, blocking, place-kicking and special teams coverage. Want the scoop about what’s happening in the dressing room and behind the scenes? Back for a fifth year, The Fabulous Blue Bomber Show takes a lighthearted approach to covering the Bombers. Hosted by Hot 103 morning man Ace Burpee and Shaw TV’s Kim Babij, the first episode of the season includes interviews with new QB Buck Pierce, Ike Charlton, Glenn January, Jovon Johnson and rookie head coach Paul LaPolice. If you aren’t a Shaw subscriber, all the episodes can be viewed online. You can also follow the action at facebook.com/fabulousbluebombershow.&lt;br/&gt;&lt;br/&gt;&lt;a href="http://bit.ly/LeBron_ESPN%20" target="_blank"&gt;&lt;strong&gt;LeBron Watch, Day 50:&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;What ESPN Should Have Asked LeBron James&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;&lt;span class="Apple-converted-space"&gt;&lt;/span&gt;Unless you have been living under a media blackout like a sequestered jury, chances are you heard that Cleavland’s LeBron James is jumping ship as a free agent and heading down to South Beach to play with the Heat. After weeks of speculation and rumours, one of the most coveted players in the NBA announced during an hour-long special on ESPN (TSN in Canada) that he was leaving his hometown to join a dream team with Dwayne Wade and former Raptor Chris Bosh. LeBron has been taking flack for the egotistical special and ESPN has been criticized for not asking the tough questions. Deadspin.com takes a look at what ESPN should have asked the NBA superstar.&lt;br/&gt;&lt;br/&gt;&lt;a href="http://bit.ly/Movement_2010" target="_blank"&gt;&lt;strong&gt;Movement 2010&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;&lt;span class="Apple-converted-space"&gt;&lt;/span&gt;Held over the American Memorial Day long weekend, Detroit’s Movement festival — an intense three days of events, after-parties and showcases — has become the heart and soul of the North American electronic music scene over the past 1o years. Along with showcasing the Motor City’s deep ties to techno, it has also become an important outlet to connect with what’s happening in Europe. Moves.Me’s Chris Soltis documents the 10th anniversary of the festival. From Windsor/Berlin’s Richie Hawtin’s mind-bending Plastikman performance to video of live French techno artists dOp, Soltis has all the angles covered.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Quick Hits&lt;br/&gt;&lt;br/&gt;MP3 of the Week: &lt;a href="http://bit.ly/JOTS_Pulse" target="_blank"&gt;Jokers of the Scene&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;Ottawa’s Jokers of the Scene offer up their unique vision of post-rave techno on the third instalment of Pulse Radio’s podcast series.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Video of the Week: &lt;a href="http://bit.ly/beer_snake" target="_blank"&gt;The Section S&lt;/a&gt; &lt;a href="http://bit.ly/beer_snake2" target="_blank"&gt;Beer Snake&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;While the brass at the Bombers are trying to curb drinking during games, it doesn’t look like they’re doing a very good job. Expect this to become a Section S tradition.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/815638445</link><guid>http://anthonyaugustine.ca/post/815638445</guid><pubDate>Thu, 15 Jul 2010 11:18:08 -0500</pubDate></item><item><title>Winnipeg Free Press - July 15th</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/kings-spencer-pratt-crown-scepter-0.jpg" height="500" width="350"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.kingspencer.com" target="_blank"&gt;King Spencer&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;WITH   MTV’s docu-soap &lt;em&gt;The Hills &lt;/em&gt;wrapping up this past Tuesday, cast  members are busy looking for new work. Although he hasn’t be featured as  prominently in the final season, Spencer Pratt has been an important  part of the show, holding down his spot as one of the most hated  villains on TV. Currently separated from his wife Heidi Montag, he is  engaging in a war of words on Twitter with celebrity gossip blogger  Perez Hilton.&lt;/p&gt;
&lt;p&gt;The brains behind Fox’s ill fated &lt;em&gt;Princes of  Malibu&lt;/em&gt; and the producer of the upcoming show&lt;em&gt; Fist Pump for Love&lt;/em&gt;,  featuring Snooki’s ex-boyfriend Emilio Masella, Pratt already has the  ball rolling on a new career. Along with a number of reality shows in  development, Pratt has also started up a paparazzi agency and has  recently launched a new blog.&lt;/p&gt;
&lt;p&gt;A skilled headline maker and  manipulator of the media, it isn’t surprising that Pratt has started up a  pap agency. Although he has a long way to go before he competes with  TMZ and Perez, expect KingSpencer.com to get a lot of traffic over the  next few months and become a major player in the Hollywood gossip game.&lt;/p&gt;
&lt;p&gt;Only   around for a week, the site has already posted exclusive images and  video of the stars of MTV’s&lt;em&gt; Jersey Shore&lt;/em&gt;, SNL’s Chris Kattan  and Sylvester Stallone.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://bit.ly/mad_men_yourself" target="_blank"&gt;Mad Men Yourself is back&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;BACK  for a fourth season, AMC’s &lt;em&gt;Mad Men&lt;/em&gt; recently landed a whopping  17 Emmy nominations and is probably the most anticipated show of the  summer TV season.&lt;/p&gt;
&lt;p&gt;Last year, AMC came up with a unique viral  marketing site where you could “Mad Men Yourself” and then upload your  avatar to your favorite social-networking site. &lt;em&gt;Mad Men &lt;/em&gt;isn’t  the first program to do this (&lt;em&gt;The Simpsons &lt;/em&gt;did it to promote  its movie), but it turned out to be a real hit with fans of the show.  Along with subtly promoting the series, it let users immerse themselves  in the SSRq60s-era drama.&lt;/p&gt;
&lt;p&gt;The online tool has new clothes,  accessories and backgrounds. Expect to see a lot of these avatars on  social-networking sites over the next couple weeks.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Mad Men&lt;/em&gt; returns to the air on AMC on July 25.&lt;/p&gt;
&lt;a href="http://www.diddyblog.com" target="_blank"&gt;Diddy Blog&lt;/a&gt;
&lt;p&gt;LOOK  out, Kayne West, fellow hip-hop superstar P. Diddy has decided that he  wants to be a blogger, too. Based around five categories (Inspire,  Believe, Feel, Create, Love and Grow), Diddy has been posting video  content and writing up interesting things he comes across on the web.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://bit.ly/395_photos" target="_blank"&gt;395  Photos Taken on Cellphones&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;CHANCES  are if you have a cellphone, it has a digital camera as one of the  features. While your pictures can come out dark, shaky or blurry if you  don’t pay attention, this collection of 395 cellphone photos from  Gizmodo.com proves that you can leave your camera at home and not worry  about missing that amazing moment — if you handle things right.&lt;/p&gt;
&lt;p&gt;Anthony  Augustine is a freelance music, technology and pop culture writer who  spends way too much time in front of a computer. Got a site you think he  should see? Email him at anthony.siteunseen@gmail.com or follow him at  twitter.com/anthonya.&lt;/p&gt;
&lt;!--endclickprintinclude--&gt;
&lt;p class="republish"&gt;Republished from the Winnipeg Free Press  print edition July 15, 2010 E3&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/815370041</link><guid>http://anthonyaugustine.ca/post/815370041</guid><pubDate>Thu, 15 Jul 2010 09:47:46 -0500</pubDate></item><item><title>M.I.A. - Born Free (Live on Letterman)</title><description>&lt;object width="400" height="254"&gt;&lt;param name="movie" value="http://www.youtube.com/v/MROxPK18v5I&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/MROxPK18v5I&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1" type="application/x-shockwave-flash" width="400" height="254" allowFullScreen="true" wmode="transparent"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;M.I.A. - Born Free (Live on Letterman)&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/811551949</link><guid>http://anthonyaugustine.ca/post/811551949</guid><pubDate>Wed, 14 Jul 2010 12:33:12 -0500</pubDate></item><item><title>Home Sweet House (2009)
The international phenomenon of house...</title><description>&lt;object type="application/x-shockwave-flash" width="400" height="220" data="http://vimeo.com/moogaloop.swf?clip_id=5333292&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF"&gt;&lt;param name="quality" value="best" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="scale" value="showAll" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=5333292&amp;server=vimeo.com&amp;fullscreen=1&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF" /&gt;&lt;embed src="http://www.vimeo.com/moogaloop.swf?clip_id=5333292&amp;server=www.vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="220"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Home Sweet House (2009)&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;The international phenomenon of house music owes its existence to the basement clubs of 1980’s Chicago, but many Chicagoans are unaware of their city’s underground legacy. “Home Sweet House” reveals a thriving Chicago house scene hidden in plain sight. From a footworking battle on the South Side to a night out at a legendary North Side club, the film takes viewers to the city’s most hallowed house hotspots. Interviews with DJs, promoters, producers, dancers, and record store clerks—all set to a soundtrack of authentic underground Chicago tracks—answer the ultimate question that surrounds this legendary subculture: Why Chicago?&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/802920054</link><guid>http://anthonyaugustine.ca/post/802920054</guid><pubDate>Mon, 12 Jul 2010 13:34:26 -0500</pubDate><category>house</category><category>chicago</category></item><item><title>Winnipeg Free Press - July 8th</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/2288477.jpg" height="250" width="350"/&gt;&lt;/p&gt;
&lt;h4&gt;&lt;a href="http://bit.ly/100_movie_insults" target="_blank"&gt;100 Greatest Movie Insults&lt;/a&gt;&lt;/h4&gt;
&lt;p&gt;COMPILED by Harry Hanrahan, this 10-minute video includes clips  ranging from &lt;em&gt;Glengarry Glen Ross, Full Metal Jacket &lt;/em&gt;and&lt;em&gt; Trading Places&lt;/em&gt; to &lt;em&gt;Clerks, Gone with the Wind &lt;/em&gt;and &lt;em&gt;A  Clockwork Orange&lt;/em&gt;. As you can guess, it’s probably not safe for  work.&lt;/p&gt;
&lt;p&gt;Hanrahan also put together The 100 Cheesiest Movie Lines of All Time,  which is also worth checking out.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="http://ow.ly/1z39H" target="_blank"&gt;Night Mayor&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;IF you are a fan of Winnipeg’s Guy Maddin, you can check out his most  recent work, &lt;em&gt;Night Mayor,&lt;/em&gt; online. Created to celebrate the  National Film Board of Canada’s 70th anniversary, the 14-minute short  film centres around a mad inventor who tries to harness the power of the  aurora borealis. Another stunning example showing Maddin is one of the  most creative filmmakers around.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href="http://bit.ly/77_movie_songs" target="_blank"&gt;The 77 Most Unforgettable Movie Songs&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;OVER at Spinner.com, they’ve posted a list of The 77 Most  Unforgettable Movie Songs. Ranging from Coolio’s &lt;em&gt;Gangsta’s Paradise &lt;/em&gt;to  Harold Faltermeyer’s instantly recognizable &lt;em&gt;Axel F&lt;/em&gt;, which  appeared in &lt;em&gt;Beverly Hills Cop,&lt;/em&gt; the list helps remind you how  important a soundtrack is to filmmaking.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://bit.ly/fantasy_factory" target="_blank"&gt;&lt;strong&gt;Rob Dyrdek’s Fantasy Factory Season 3&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;A few years back, professional skater Rob Dyrdek built himself a  massive office complex, complete with indoor skate parks, go-karts, mini  race cars, zip-lines, basketball hoops, a recording studio and a giant  ball box that he and his crazy buddies launch themselves into. If that  weren’t enough, he had a film crew around to film the whole thing.&lt;/p&gt;
&lt;p&gt;Back for a third season on MTV on July 12, by the looks of this  trailer Dyrdek is going to up the ante and have as much fun as possible  along the way.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt; &lt;a href="http://www.kayak.com" target="_blank"&gt;Kayak&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;FINDING the price for hotels online can be a time-consuming process.  Now you can it speed up by using Kayak, a site that lets you search five  different sites at once. In Canada the site pulls pricing and  information from EasyClickTravel.com, Hotels.com, Priceline, Travelocity  and Expedia. You can also use it for trips south of the border or to  rent a car.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://bit.ly/pearl_jam_radio" target="_blank"&gt;&lt;strong&gt;Pearl Jam Radio&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;IF you are a fan of Pearl Jam or just want to see what the band has  been up to over the years, the act is streaming a range of live, rare  and studio tracks on its website. The band has also announced its 2010  bootleg series.&lt;/p&gt;
&lt;p&gt;This isn’t the first time the grunge pioneers have done a bootleg  series. Judging by the sound quality of past recordings and the  constantly changing set lists, they are must-haves for die-hard fans of  the Seattle-based band.&lt;/p&gt;
&lt;p&gt;In an era of declining record sales, I’m not sure why more bands  don’t do this.&lt;/p&gt;


&lt;!--endclickprintinclude--&gt;
&lt;p class="republish"&gt;&lt;em&gt;Republished from the Winnipeg Free Press  print edition July 8, 2010 E3&lt;/em&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/815394590</link><guid>http://anthonyaugustine.ca/post/815394590</guid><pubDate>Thu, 08 Jul 2010 00:00:00 -0500</pubDate></item><item><title>Uptown Magazine - July 8th</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/vegplate.jpg" height="250" width="350"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;&lt;a href="http://bit.ly/down_with_the_gvp" target="_blank"&gt;&lt;strong&gt;Down with the GVP!&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;&lt;span class="Apple-converted-space"&gt;&lt;/span&gt;Chances are if you’re vegetarian  or vegan, you have had to settle for the dreaded Grilled Vegetable Plate  (or the GVP), despite being in a restaurant that should be able to  accommodate you (what’s so difficult about pasta, stir-fry or pizza?).  While some restaurants will go out of their way to make sure there are a  range of options for their customers, some just take the easy way out.  “Let’s get something straight: A vegetarian is someone who doesn’t eat  meat,” writes Ezra Klein. “It’s not someone who loves vegetables. Or  dislikes composed meals. Or thinks food doesn’t benefit from seasoning,  and saucing, and a variety of textures and grains and cooking methods.”&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="Apple-style-span"&gt;&lt;span class="Apple-style-span"&gt;&lt;strong&gt;&lt;a href="http://bit.ly/geek_checklist" target="_blank"&gt;The Geek’s Vacation Checklist&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;&lt;span class="Apple-converted-space"&gt;&lt;/span&gt;Heading out on a road trip this summer? Lifehacker.com breaks down exactly what you need to stay connected to the digital world and make your life a bit easier. From using travel planning sites such as TripIt to showing the best way to pack so you aren’t lugging around too many bags, some of this stuff might seem obvious, but it can help take the stress out of your travel plans.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Quick Hits&lt;br/&gt;&lt;br/&gt;MP3 of the Week: &lt;a href="http://fairtilizer.com/users/meme" target="_blank"&gt;Manitoba Electronic Music Exhibition&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;&lt;span class="Apple-converted-space"&gt;&lt;/span&gt;Anyone who attended the recent Manitoba Electronic Music Exhibition knows that it was a smashing success. Along with helping launch The Cube at the newly renovated Old Market Square, it also marked a new era for electronic music in the province. While this collection of music from the festival doesn’t include Voodeux’s amazing live P.A. (arguably the best performance of the festival), it does provide a great snapshot of the four-day event. Other highlights include Dubmatix with Stamina, Noah Pred and Joe Silva with Pucona &amp; Flo.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Video of the Week: &lt;a href="http://bit.ly/g20_protest" target="_blank"&gt;Peaceful G20 Protest at Queen &amp; Spadina &lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;&lt;span class="Apple-converted-space"&gt;&lt;/span&gt;While much of the early debate about the G20 summit in Toronto focused on the staggering cost of the event, now people are talking about how the police handled the mostly peaceful protesters and how there seemed to be a systematic dismissal of civil liberties. This short clip from a protest at Queen and Spadina shows police seemingly attacking a crowd without provocation.&lt;span class="Apple-converted-space"&gt; &lt;br/&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/815352054</link><guid>http://anthonyaugustine.ca/post/815352054</guid><pubDate>Thu, 08 Jul 2010 00:00:00 -0500</pubDate></item><item><title>Tool - Sober (1993)
The first time I saw them was in 1994 at Le...</title><description>&lt;object width="400" height="326"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Zw3FTiWRXF8&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Zw3FTiWRXF8&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1" type="application/x-shockwave-flash" width="400" height="326" allowFullScreen="true" wmode="transparent"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Tool - Sober (1993)&lt;/p&gt;
&lt;p&gt;The first time I saw them was in 1994 at Le Rendez-Vous  and it is still one of the best shows I have been at. Last night at The Phone Booth was even better. Didn’t think that was possible.&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/774366046</link><guid>http://anthonyaugustine.ca/post/774366046</guid><pubDate>Mon, 05 Jul 2010 17:50:57 -0500</pubDate></item><item><title>Tool - The Patient - Live 6/26/10 - St Charles, MO</title><description>&lt;object width="400" height="254"&gt;&lt;param name="movie" value="http://www.youtube.com/v/wyXpswjHmXg&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/wyXpswjHmXg&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1" type="application/x-shockwave-flash" width="400" height="254" allowFullScreen="true" wmode="transparent"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Tool - The Patient - Live 6/26/10 - St Charles, MO&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/774257747</link><guid>http://anthonyaugustine.ca/post/774257747</guid><pubDate>Mon, 05 Jul 2010 17:14:22 -0500</pubDate></item><item><title>Winnipeg Free Press - July 1st</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/mia-1.jpg" height="250" width="350"/&gt;&lt;/p&gt;
&lt;h4&gt;&lt;a href="http://www.nytimes.com/2010/05/30/magazine/30mia-t.html?_r=1&amp;pagewante" target="_blank"&gt;M.I.A.’s Agitprop Pop&lt;/a&gt;&lt;/h4&gt;
&lt;p&gt;MAYA Arulpragasam, known as M.I.A., has never been shy about her  politics and when she sat down with New York Times’  writer Lynn Hirschberg it seemed like another interview. Outspoken,  confident, eloquent and one of the music industry’s most  thought-provoking artists, M.I.A is always controversial.&lt;/p&gt;
&lt;p&gt;Along with a brilliant new viral video (which wasinstantly banned  from YouTube, MTV and MuchMusic), she has a new son whom she gave birth  to after performing nine months’ pregnant at the Grammy Awards.  Maya  was also engaged to Ben Bronfman, son of the Warner Music Group chief  executive and Seagram’s heir Edgar Bronfman Jr., and she was working on  highly anticipated new tracks with some of the hottest producers on the  planet.&lt;/p&gt;
&lt;p&gt;Right from the outset, it seemed as if Hirschberg was challenging the  performer on the conflict between being someone whose music is so  heavily political and who is now living a lifestyle that most people  only dream out. While those topics are certainly important to discuss,  Hirschberg’s piece had the tone of someone who was setting out to do  hatchet job.&lt;/p&gt;
&lt;p&gt;Yes, Maya’s music is political. Yes, she now lives in Beverly Hills.  Yes, she has modelled clothes for high-end designers and cares about  fashion. Yes, she might like to eat truffle-flavoured french fries and  yes, she still writes about the power of the people, but she isn’t a  20-something drunk pop star, partying the night away while singing about  the injustices in the world. She has been the same person from Day 1:  one foot in politics, one foot in popular culture.&lt;/p&gt;
&lt;p&gt;“Maya had all the pieces of the puzzle,” said Jimmy Iovine, chairman  of Interscope Records. “When I met her, I thought, ‘Who wouldn’t want to  sign her?’ Her politics didn’t matter to me. The whole game is about  waiting for that moment to move popular culture. Maya can move the  needle. I want to go where she’s going to take me.”&lt;/p&gt;
&lt;p&gt;Almost immediately after the piece ran, the firestorm began. Maya  wasn’t impressed with how she was depicted in the lengthy, almost  9,000-word piece and posted Hirschberg’s personal phone number on her  Twitter profile. She also got to work on a diss track,&lt;em&gt; Haters&lt;/em&gt;,  that she released for free on her website.&lt;/p&gt;
&lt;p&gt;The &lt;em&gt;New York Times &lt;/em&gt;has added an editor’s note that elements  of the author’s interview were spliced together at different parts.&lt;/p&gt;
&lt;p&gt;This isn’t the first time an artist has attacked the writer; she is  best known for the notorious Courtney Love &lt;em&gt;Vanity Fair &lt;/em&gt;interview  that got Hirschberg death threats from Love’s then-husband, Nirvana’s  Kurt Cobain.&lt;/p&gt;
&lt;h4&gt;&lt;a href="http://www.symbaloo.com/" target="_blank"&gt;Symbaloo&lt;/a&gt;&lt;/h4&gt;
&lt;p&gt;FOR many people, bookmarks stored on a single machine are becoming  the old way of doing things. Although there are other online options  like iGoogle and Delicious.com, that doesn’t mean there aren’t newcomers  like Symbaloo  hoping to get your attention.&lt;/p&gt;
&lt;p&gt;Recently out of beta testing, Symbaloo is a personal online tool that  will help you organize your online life, no matter what computer or  device you may be using. One of its most innovative features is you can  share your personal web mix with anyone you want and integrate what  other people send you into your front-page look. Already 20,000  customizable combinations have been made available.&lt;/p&gt;
&lt;!--endclickprintinclude--&gt;
&lt;p class="republish"&gt;&lt;em&gt;Republished from the Winnipeg Free Press  print edition June 30, 2010 E3&lt;/em&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/815417980</link><guid>http://anthonyaugustine.ca/post/815417980</guid><pubDate>Thu, 01 Jul 2010 00:00:00 -0500</pubDate></item><item><title>Uptown Magazine - July 1st</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/tuna12806_wideweb__470x3110.jpg" height="250" width="350"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://nyti.ms/the_end_of_tuna" target="_blank"&gt;&lt;strong&gt;Tuna’s End&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;If you are a sushi addict, chances are you eat your fair share of  tuna. One of the most sought-after and expensive fish in the ocean, the  Atlantic bluefin tuna stock has been depleted and is in dangerous  territory right now. If Asian and North American consumers keep up the  demand for the fish, they will disappear. “Tuna then are both a real  thing and a metaphor. Literally they are one of the last big public  supplies of wild fish left in the world,” writes The New York Times’  Paul Greenberg. “Metaphorically they are the terminus of an idea: that  the ocean is an endless resource where new fish can always be found. In  the years to come we can treat tuna as a mile marker to zoom past on our  way toward annihilating the wild ocean or as a stop sign that compels  us to turn back and radically reconsider.”&lt;br/&gt;&lt;br/&gt;&lt;a href="http://bit.ly/the_thriller_diaries" target="_blank"&gt;&lt;strong&gt;The Thriller  Diaries&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;When it was released in 1983, the video for Michael Jackson’s  Thriller was a game changer. With a huge budget, over-the-top dance  sequences and film-like quality, Thriller became the metre stick to  which all music videos would be measured — and still is today. It set  the tone for the way videos would be made and helped make MTV a cultural  touchstone. Vanity Fair’s Nancy Griffin takes a look behind the scenes  of the epic 14-minute clip.&lt;br/&gt;&lt;br/&gt;&lt;a href="http://bit.ly/boggs_game" target="_blank"&gt;&lt;strong&gt;Boggs&lt;/strong&gt;&lt;/a&gt;&lt;br/&gt;Slugger Wade  Boggs, giant beers, classic 8-bit graphics, girls in bikinis and hamburgers.  What else do you need in a video game? Along with the World Cup, this  addictive game is really hurting my productivity. Don’t feel bad if you  waste an afternoon playing it, Boggs and Major League baseball are  probably trying to shut it down right now.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;MP3 of the  Week: Crosstown Rivals – &lt;a href="http://bit.ly/crosstown_rivals" target="_blank"&gt;Exits&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;Although Crosstown Rivals seem to be on hiatus right now, you can still  make them part of your 100 Mile Musical Diet with this cut from local  digital label Better Swimmers’ debut EP. The Rivals’ indie dance-rock  will sound right at home next to Tokyo Police Club and Wolf Parade on  your next playlist.&lt;br/&gt;&lt;br/&gt;&lt;strong&gt;Video of the Week: &lt;a href="http://bit.ly/free_fall" target="_blank"&gt;Free Fall&lt;/a&gt;&lt;/strong&gt;&lt;br/&gt;Brilliantly  filmed by free diver Julie Gautier, this beautiful and simplistic clip  is begging to be viewed on a massive HD TV. World champion free diver  Guillaume Nery jumps into the massive Dean’s Blue Hole, located in a bay  west of Clarence Town on Long Island, Bahamas.&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/815475362</link><guid>http://anthonyaugustine.ca/post/815475362</guid><pubDate>Thu, 01 Jul 2010 00:00:00 -0500</pubDate></item><item><title>I saw Llewellyn jump a bunch of times. Never disappointing. This...</title><description>&lt;object width="400" height="326"&gt;&lt;param name="movie" value="http://www.youtube.com/v/4XR4YO1mQvU&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="wmode" value="transparent"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/4XR4YO1mQvU&amp;rel=0&amp;egm=0&amp;showinfo=0&amp;fs=1" type="application/x-shockwave-flash" width="400" height="326" allowFullScreen="true" wmode="transparent"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;I saw Llewellyn jump a bunch of times. Never disappointing. This post is for my Dad, Neal Brown, Garnet Butchart, JD, Davey Johnson, and everyone who ever skied at Lakers in Lac du Bonnet. Go hard or go home.&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/747570835</link><guid>http://anthonyaugustine.ca/post/747570835</guid><pubDate>Mon, 28 Jun 2010 19:48:00 -0500</pubDate></item><item><title>Eminem - Winnipeg Free Press</title><description>&lt;p&gt;&lt;img src="http://i392.photobucket.com/albums/pp7/anthonyaugustine/RecoveryCoverOfficial.jpg" height="300" width="300"/&gt;&lt;/p&gt;
&lt;p&gt;&lt;!--[if lte IE 6]&gt;
&lt;div class="iesix_warning"&gt;Our system shows that you are currently using an older browser. Our website is designed to support all browsers, but users with older versions may encounter problems. For an optimal web experience, please consider upgrading your browser.&lt;/div&gt;
&lt;![endif]--&gt;
&lt;script type="text/javascript" src="http://www.winnipegfreepress.com/g/js/prototype.js"&gt;&lt;/script&gt;&lt;script type="text/javascript"&gt;&lt;![CDATA[// &lt;![CDATA[

	//Objects to interact with server
	var CMSUtil = {
		interactWithServer: function(form, isAjax, buildObjectFunction, 
									returnFunction, action, servlet, 
									extraFields){
			if(isAjax == true &amp;&amp; returnFunction != null){
            	var queryString = Form.serialize(form);
				if(queryString != null){
					if(action != null){
						queryString += "&amp;action=" + action + "&amp;isAjax=Y";	
					}else{
            			queryString += "&amp;isAjax=Y";
            		}
            		if(extraFields){
            			queryString += extraFields;
            		}
            		
            		var handlerFunction = function(originalRequest){
            			var response = "(" + originalRequest.responseText + ")";
            			response = eval(response);
						buildObjectFunction(response);	
            			returnFunction(response);    
            		}    
           
					var myAjax = new Ajax.Request(servlet,
    					{method: 'post', postBody: queryString, onComplete: handlerFunction}
					);
				}
            }else{
 				this.submitUserFormNoAJAX(form, action, servlet); 
			}
		},
		
		submitUserFormNoAJAX: function(form, action, servlet){
			if(servlet == null) return null;
    	    form.action = servlet;

    	    if(action != null) {
    	    	var actionField = document.createElement('input');
    	    	actionField.setAttribute('name', 'action');
  					actionField.setAttribute('type', 'hidden');
  					actionField.value = action;
    	    	form.appendChild(actionField);
    	    	
    	    }
    		form.submit();
    	}
    	
	}
	
	var Action = {
		attachAction: function(form, isAjax, returnFunction){
			var action = "";
			if(isAjax){
				action = "attachActionAJAX";
			} else {
				action = "attachAction";
			}
			CMSUtil.interactWithServer(form, isAjax, Action.buildAction, returnFunction, action, "/s");
		},
		
		deleteAction: function(form, isAjax, returnFunction){
        	var action = "";
        	if(isAjax){
        		action = "deleteActionAJAX";
        	} else {
        		action = "deleteAction";
        	}
        	CMSUtil.interactWithServer(form, isAjax, Action.deletedAction, returnFunction, action, "/s");
        },
		
		
		buildAction: function(response){
			if(response.success == true){
				Action.actionID = response.actionID;
				Action.contentID = response.contentID;
				Action.commentID = response.commentID;
				Action.contentTypeID = response.contentTypeID;
				Action.actionDate = response.actionDate;
				Action.userID = response.userID;
				Action.actionType = response.actionType;
				Action.slugLine = response.slugLine;
			} else {
			 	Action.error = response.error;
			}
		},
		
		deletedAction: function(response){
			if(response.success == true){
				Action.actionID = response.actionID;
			} else {
				Action.error = response.error;
			}
		}
	}
	
	var Ranking = {
		insertRanking: function(form, isAjax, returnFunction){
			CMSUtil.interactWithServer(form, isAjax, Ranking.buildRanking, returnFunction, "rankComment", "/p");
		},
		
		buildRanking: function(response){
			if(response.success == true){
				Ranking.success = true;
				Ranking.objectId = response.objectId;
				Ranking.type = response.type;
				Ranking.ipAddress = response.ipAddress;
				Ranking.rankDate = response.rankDate;
				Ranking.upRanking = response.upRanking;
				Ranking.downRanking = response.downRanking;
			} else {
				Ranking.error = response.error;
			}
		}
			
	}
			
	var Rating = {
		addRating: function(form, isAjax, returnFunction){
			var action = "";
			if(isAjax){
				action = "addRatingAJAX";
			} else {
				action = "addRating";
			}
            CMSUtil.interactWithServer(form, isAjax, Rating.buildRating, returnFunction, action, "/s");
        },
        
        insertRating: function(form, isAjax, returnFunction){
			var extraQueryStr = null;
			if(isAjax){
				extraQueryStr = getFieldsForForm();
			}else{
				addFieldsToForm(form);
			}
			CMSUtil.interactWithServer(form, isAjax, Comment.buildComment, returnFunction, "insertComment", "/c", extraQueryStr);
		},
        
		buildRating: function(response){
			if(response.success == true){
				Rating.id = response.id;
				Rating.rating = response.rating;
				Rating.upvote = response.upvote;
				Rating.downvote = response.downvote;
				Rating.type = response.type;
				Rating.date = response.date;
				Rating.ipAddress = response.ipAddress;
			}else{
				Rating.error = response.error;
			}
		}
		
	}
	
	var User = {
		createUser: function(form, isAjax, returnFunction){	
		    var action = "";
			if(isAjax){
				action = "createProfileAJAX";
			} else {
				action = "createProfile";
			}
            CMSUtil.interactWithServer(form, isAjax, User.buildUser, returnFunction, action, "/s");
		},
		
		loginUser: function(form, isAjax, returnFunction){
			var action = "";
			if(isAjax){
				action = "doLoginProfileAJAX";
			} else {
				action = "doLoginProfile";
			}
        	CMSUtil.interactWithServer(form, isAjax, User.buildUser, returnFunction, action, "/s");
		},
		
		updateUser: function(form, isAjax, returnFunction){
			var action = "";
			if(isAjax){
				action = "updateProfileAJAX";
			} else {
				action = "updateProfile";
			}
			CMSUtil.interactWithServer(form, isAjax, User.buildUser, returnFunction, action, "/s");
		},
		
		updateRegistration: function(form, isAjax, returnFunction){
			var action = "";
			if(isAjax){
				action = "updateRegistrationAJAX";
			} else {
				action = "updateReg";
			}
			CMSUtil.interactWithServer(form, isAjax, User.buildUser, returnFunction, action, "/s");
		},
		
		updateProfilePassword: function(form, isAjax, returnFunction){
			var action = "";
			if(isAjax){
				action = "updateProfilePasswordAJAX";
			} else {
				action = "updateProfilePassword";
			}
			CMSUtil.interactWithServer(form, isAjax, User.buildUser, returnFunction, action, "/s");
		},
		
		insertProfilePic: function(form, isAjax, returnFunction){
			var action = "";
			if(isAjax){
				//not implemented as of yet
				return;
				//action = "updateImageAJAX";
			} else {
				action = "updateImage";
			}
			CMSUtil.interactWithServer(form, isAjax, User.buildUser, returnFunction, action, "/s");
		},
		
		buildUser: function(response){
			if(response.success == true){
				User.username = response.username;
				User.email = response.email;
				User.firstName = response.firstName;
				User.lastName = response.lastName;
				User.birthDate = response.birthDate;
				User.createDate = response.createDate;
				User.title = response.title;
				User.company = response.company;
				User.address1 = response.address1;
				User.address2 = response.address2;
				User.city = response.city;
				User.state = response.state;
				User.zipcode = response.zipcode;
				User.country = response.country;
				User.custom1 = response.custom1;
				User.custom2 = response.custom2;
				User.custom3 = response.custom3;
				User.custom4 = response.custom4;
				User.custom5 = response.custom5;
				User.custom6 = response.custom6;
				User.custom7 = response.custom7;
				User.custom8 = response.custom8;
				User.custom9 = response.custom9;
			}else{
				User.error = response.error;
				User.errorMsg = response.errorMsg;
				User.errorCode = response.errorCode;
			}
		}
	}
	
	var UserContent = {
		insertContent: function(form, isAjax, returnFunction){
			var extraQueryStr = null;
			
			if(isAjax){
				extraQueryStr = getFieldsForForm();
			}else{
				addFieldsToForm(form);
			}
			UserContent.messages = null;
			CMSUtil.interactWithServer(form, isAjax, UserContent.buildContent, returnFunction, extraQueryStr, "/d");
		},
		
		editContent: function(form, isAjax, returnFunction){
			CMSUtil.interactWithServer(form, isAjax, UserContent.buildContent, returnFunction, null, "/d");
		},
		
		buildContent: function(response){
			if(response.success == true){
				for (var i=0; i&lt; response.fields.length; i++){
					var field = response.fields[i];
					UserContent[field] = response[field];
				}
				UserContent.contentID = response.contentID;
				UserContent.contentType = response.contentType;
				UserContent.title = response.title;
				UserContent.status = response.status;
			} else {
				UserContent.error = response.error;
				UserContent.messages = response.messages;
			}
		}
	}
	
	var Comment = {
	
		insertComment: function(form, isAjax, returnFunction){
			var extraQueryStr = null;
			if(isAjax){
				extraQueryStr = getFieldsForForm();
			}else{
				addFieldsToForm(form);
			}
			CMSUtil.interactWithServer(form, isAjax, Comment.buildComment, returnFunction, "insertComment", "/c", extraQueryStr);
		},
	
		deleteComment: function(form, isAjax, returnFunction){
			var extraQueryStr = null;
			if(isAjax){
				extraQueryStr = getFieldsForForm();
			}else{
				addFieldsToForm(form);
			}
			CMSUtil.interactWithServer(form, isAjax, Comment.nullifyComment, returnFunction, "deleteComment", "/c", extraQueryStr);
		},
		
		updateComment: function(form, isAjax, returnFunction){
			var extraQueryStr = null;
			if(isAjax){
				extraQueryStr = getFieldsForForm();
			} else {
				addFieldsToForm(form);
			}
			CMSUtil.interactWithServer(form, isAjax, Comment.buildComment, returnFunction, "updateComment", "/c", extraQueryStr);
		},
		
		buildComment: function(response){
						Comment.name = null;
			Comment.website = null;
			Comment.title = null;
			Comment.comment = null;
			Comment.email = null;
			Comment.rating = null;
			Comment.ratingType = null;
			Comment.commentType = null;
			Comment.flagged = false;
			Comment.isAuthor = false;
			Comment.error = null;
			Comment.status = null;
			Comment.level = 0;
			Comment.parentID = 0;
			Comment.threadID = 0;
			Comment.id = 0;
			Comment.extID = null;		
		
			if(response.success == true){
				Comment.name = response.name;
				Comment.comment = response.comment;
				Comment.email = response.email;
				Comment.website = response.website;
				Comment.title = response.title;
				Comment.isAuthor = response.isAuthor;
				Comment.flagged = response.flagged;
				Comment.status = response.status;
				Comment.rating = response.rating;
				Comment.ratingType = response.ratingType;
				Comment.commentType = response.commentType;
				if(Comment.status == "AUTHOR"){
					Comment.isAuthor = true;
				} else if(Comment.status != "APPROVED") {
					Comment.flagged = true;
				}
			    Comment.id = response.id;
			    Comment.threadID = response.threadID;
			    Comment.parentID = response.parentID;
			    Comment.level = response.level;
			    Comment.extID = response.extID;
			} else {
				Comment.error = response.error;
			}
		},
		
		nullifyComment: function(response){
			if(response.success == true){
				Comment.comment = null;
				Comment.email = null;
				Comment.website = null;
				Comment.title = null;
				Comment.isAuthor = null;
				Comment.flagged = null;
				Comment.status = null;
				Comment.id = 0;
			    Comment.threadID = 0;
			    Comment.parentID = 0;
			    Comment.level = 0;
			    Comment.extID = null;
			} else {
				Comment.error = response.error;
			}
		}
	}	
	
	var Clickability = Clickability || {};
	Clickability.SMTK = {
		kP : 0,
		aT : 0,
		myInterval : null,
		xPos : -1,
		yPos : -1,
		firstX : -1,
		firstY : -1,
		intervals : 0,
		cid :  97230674 ,
		did :  400634 ,
		d : 0,
		mT : 0
	}
	Clickability.SMTK.myInterval = window.setInterval(timedMousePos,250);
	document.onkeypress = lK;
	window.onload = rAT;

		Clickability.Comment = Comment;
		
		var p;
	var kP = 0;
	var	aT = 0;
	var myInterval = Clickability.SMTK.myInterval;
	var xPos = -1;
	var yPos = -1;
	var firstX = -1;
	var firstY = -1;
	var intervals = 0;
	var d = 0;
	var mT = 0;
	var cid =  97230674 ;
	var did =  400634 ;	
	
	function getMousePos(p) {
		if(!p)var p = window.event;
		if (p.pageX || p.pageY) {
			Clickability.SMTK.xPos = p.pageX;
			Clickability.SMTK.yPos = p.pageY;
		} else if (p.clientX || p.clientY) {
			Clickability.SMTK.xPos = p.clientX + document.body.scrollLeft + document.documentElement.scrollLeft;
			Clickability.SMTK.yPos = p.clientY + document.body.scrollTop + document.documentElement.scrollTop;
		}
	}

	
	function lK() {	
		Clickability.SMTK.kP++;
	}

	function rAT() {
		Clickability.SMTK.aT = new Date();
	}
		
	function timedMousePos() {
		document.onmousemove = getMousePos;
		if (Clickability.SMTK.xPos &gt;= 0 &amp;&amp; Clickability.SMTK.yPos &gt;= 0) {
			var newX = Clickability.SMTK.xPos;
			var newY = Clickability.SMTK.yPos;
			Clickability.SMTK.intervals++;
		}
		if (Clickability.SMTK.intervals == 1) {
			Clickability.SMTK.firstX = Clickability.SMTK.xPos;
			Clickability.SMTK.firstY = Clickability.SMTK.yPos;
		} else if (Clickability.SMTK.intervals == 2) {
			clearInterval(Clickability.SMTK.myInterval);
			calcDistance(Clickability.SMTK.firstX,Clickability.SMTK.firstY,newX,newY);	
		}
	}


	function calcDistance(aX,aY,bX,bY){
		Clickability.SMTK.mT = Math.round(Math.sqrt(Math.pow(aX-bX,2)+Math.pow(aY-bY,2)));
	}
	
	function getFieldsForForm(){
		var sT = new Date();
		Clickability.SMTK.d = sT - Clickability.SMTK.aT;
		var queryString = "&amp;";
		queryString += "mT=" + Clickability.SMTK.mT;
     	queryString += "&amp;d=" + Clickability.SMTK.d;
     	queryString += "&amp;kP=" + Clickability.SMTK.kP;
     	if(Clickability.SMTK.cid)queryString += "&amp;cid=" + Clickability.SMTK.cid;
     	if(Clickability.SMTK.did)queryString += "&amp;did=" + Clickability.SMTK.did;
     	queryString += "&amp;socialMedia=Y";
	    return queryString;
	}
		
	function addFieldsToForm(formObj, redirect) {
		var sT = new Date();
		Clickability.SMTK.d = sT - Clickability.SMTK.aT;
		var mTField = document.createElement('input');
		var dField = document.createElement('input');
		var kPField = document.createElement('input');
  		var cidField = document.createElement('input');
  		var didField = document.createElement('input');
  		var socialMedia = document.createElement('input');
  	
  	
  		socialMedia.setAttribute('name','socialMedia');
		socialMedia.setAttribute('type', 'hidden');
		
  		mTField.setAttribute('name','mT');
		mTField.setAttribute('type', 'hidden');
  	  
		dField.setAttribute('name', 'd');
		dField.setAttribute('type', 'hidden');
  	  
		kPField.setAttribute('name', 'kP');
		kPField.setAttribute('type', 'hidden');
  	
		cidField.setAttribute('name', 'cid');
		cidField.setAttribute('type', 'hidden');
  	
  		didField.setAttribute('name', 'did');
  		didField.setAttribute('type', 'hidden');	
  	
  		if(redirect != null) {
  			var pathField = document.createElement('input');
  			pathField.setAttribute('name', 'path');
  			pathField.setAttribute('type', 'hidden');
  			pathField.value = redirect;
  			formObj.appendChild(pathField);
  		}
  		mTField.value = Clickability.SMTK.mT;
		dField.value = Clickability.SMTK.d;
		kPField.value = Clickability.SMTK.kP;
		cidField.value = Clickability.SMTK.cid;
		didField.value = Clickability.SMTK.did;
		socialMedia.value = "Y";

		formObj.appendChild(dField);
		formObj.appendChild(kPField);
		formObj.appendChild(mTField);
		formObj.appendChild(cidField);
		formObj.appendChild(didField);
		formObj.appendChild(socialMedia);
	}		
	
	//helper functions
	
	function insertComment(form, isAjax, returnFunction, showError){
		return submitToServer(Comment.insertComment, "Unable to insert comment", form, isAjax, returnFunction, showError);
	}
	
	function updateComment(form, isAjax, returnFunction, showError){
		return submitToServer(Comment.updateComment, "Unable to update comment", form, isAjax, returnFunction, showError);
	}
	
	function deleteComment(form, isAjax, returnFunction, showError){
		return submitToServer(Comment.deleteComment, "Unable to delete comment", form, isAjax, returnFunction, showError);
	}
	
	function createUser(form, isAjax, returnFunction, showError){
		return submitToServer(User.createUser, "Unable to create user", form, isAjax, returnFunction, showError);
	}
	
	function updateUser(form, isAjax, returnFunction, showError){
		return submitToServer(User.updateUser, "Unable to update user", form, isAjax, returnFunction, showError);
	}
	
	function loginUser(form, isAjax, returnFunction, showError){
		return submitToServer(User.loginUser, "Unable to login user", form, isAjax, returnFunction, showError);
	}
	
	function insertUserContent(form, isAjax, returnFunction, showError){
		return submitToServer(UserContent.insertContent, "Unable to insert content item", form, isAjax, returnFunction, showError);
	}
	
	function editUserContent(form, isAjax, returnFunction, showError){
		return submitToServer(UserContent.editContent, "Unable to edit content item", form, isAjax, returnFunction, showError);
	}
	
	function insertProfilePic(form, isAjax, returnFunction, showError){
		return submitToServer(User.insertProfilePic, "Unable to upload profile photo", form, isAjax, returnFunction, showError);
	}
	
	function addRating(form, isAjax, returnFunction, showError){
		return submitToServer(Rating.addRating, "Unable to add rating", form, isAjax, returnFunction, showError);
	}
	
	function insertRating(form, isAjax, returnFunction, showError){
		return submitToServer(Rating.insertRating, "Unable to insert rating", form, isAjax, returnFunction, showError);
	}
	
	function attachAction(form, isAjax, returnFunction, showError){
		return submitToServer(Action.attachAction, "Unable to attach action", form, isAjax, returnFunction, showError);
	}
	
	function deleteAction(form, isAjax, returnFunction, showError){
		return submitToServer(Action.deleteAction, "Unable to delete action", form, isAjax, returnFunction, showError);
	}
	
	function insertRanking(form, isAjax, returnFunction, showError){
		return submitToServer(Ranking.insertRanking, "Unable to insert ranking", form, isAjax, returnFunction, showError);
	}
	
	function submitToServer(method, msg, form, isAjax, returnFunction, showError){
		method(form, isAjax, returnFunction);
		if(isAjax){
			return false;
		} else {
			return true;
		}
	}

]]]]&gt;&lt;![CDATA[&gt;]]&gt;&lt;/script&gt;&lt;script language="javascript1.2"&gt;&lt;![CDATA[// &lt;![CDATA[var trkcid=97230674;var partnerID=400634; var _hb=1;]]]]&gt;&lt;![CDATA[&gt;]]&gt;&lt;/script&gt;&lt;script src="http://www.winnipegfreepress.com/g/g/button/button_1.js" language="javascript1.2"&gt;&lt;/script&gt;&lt;script language="JavaScript"&gt;&lt;![CDATA[// &lt;![CDATA[ 
window.onerror=function(){clickURL=document.location.href;return true;} 
if(!self.clickURL) clickURL=parent.location.href; 
]]]]&gt;&lt;![CDATA[&gt;]]&gt;&lt;/script&gt;&lt;/p&gt;
&lt;!--endclickprintexclude--&gt;
&lt;p&gt;Eminem / Recovery&lt;/p&gt;
&lt;p&gt;(Interscope/Universal)&lt;/p&gt;
&lt;p&gt;AFTER the thrown-together and largely forgettable Relapse album last  year — and having finally conquered his personal demons — Recovery is  the Detroit-born MC’s most self-aware album yet.&lt;/p&gt;
&lt;p&gt;Like The Motor City, Marshall Mathers is reinventing and  re-envisioning himself, and that comes across most evidently on Not  Afraid. Eminem sings “I’m not afraid to take a stand. Everybody,  Everybody take my hand. We’ll walk this road together.” This is in stark  contrast to the cartoonish, video-ready, pop cultural referencing  tracks that used to anchor his albums.&lt;/p&gt;
&lt;p&gt;While those name checks still come up, this is a major leap forward  for Eminem. He has always been a skilled storyteller; it just seems now  he’s spending more time focusing on real experiences. He may be still  figuring out who he is as an MC, father and person, but at least he has  decided he can leave behind some of the things he did in the past and is  putting his life together track by track.&lt;/p&gt;
&lt;p&gt;On Talkin’ 2 Myself (featuring Kobe), he proclaims “I finally feel  like I am back to me, I finally feel normal.” While Eminem’s lyrics  always had personal elements to them, this may be the first time they  actually mean something.&lt;/p&gt;
&lt;p&gt;With Recovery, there is no doubt Eminem is back in the game.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;4  stars &lt;/strong&gt;&lt;/p&gt;</description><link>http://anthonyaugustine.ca/post/815403528</link><guid>http://anthonyaugustine.ca/post/815403528</guid><pubDate>Sat, 26 Jun 2010 00:00:00 -0500</pubDate></item></channel></rss>
